“One is always playing the surgeon, one kills always the thing one loves best. Then she glanced at the cards again, over which her aunt’s many-ringed hand played, and then at the rather weak, rather plump face that surveyed its operations. “How dared you do yourself this injustice?” “I did it for her sake,” she answered. But you had better know the truth to start with. ‘I should never have told you. “You are really a good Samaritan,” she declared. To surrender himself to the law, to face trial and imprisonment, was out of the question. “To tell you the truth though, I am quite a stranger in London, and it occurred to me that Mr. Here the ribs of a thousand pounds beating against the Needles— those dangerous rocks, credulity here floated, to and fro, silks, stuffs, camlets, and velvet, without giving place to each other, according to their dignity; here rolled so many pipes of canary, whose bungholes lying open, were so damaged that the merchant may go hoop for his money," A less picturesque, but more truthful, and, therefore, more melancholy description of the same scene, is furnished by the shrewd and satirical Ned Ward, who informs us, in the "Delectable History of Whittington's College," that "When the prisoners are disposed to recreate themselves with walking, they go up into a spacious room, called the Stone Hall; where, when you see them taking a turn together, it would puzzle one to know which is the gentleman, which the mechanic, and which the beggar, for they are all suited in the same garb of squalid poverty, making a spectacle of more pity than executions; only to be out at the elbows is in fashion here, and a great indecorum not to be threadbare.
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