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I know why. “There was a man called Montague Hill,” she said hoarsely, “but he is dead. ” For some creditable moments in her life Ann Veronica was utterly disgusted with herself; she was wrung with a passionate and belated desire to move gently, to speak softly and ambiguously—to be, in effect, prim. She became more and more alive, not so much to a system of ideas as to a big diffused impulse toward change, to a great discontent with and criticism of life as it is lived, to a clamorous confusion of ideas for reconstruction—reconstruction of the methods of business, of economic development, of the rules of property, of the status of children, of the clothing and feeding and teaching of every one; she developed a quite exaggerated consciousness of a multitude of people going about the swarming spaces of London with their minds full, their talk and gestures full, their very clothing charged with the suggestion of the urgency of this pervasive project of alteration. “I’ve got—I have to tell you this to make myself clear—a streak of ardent animal in my composition. It was the beginning of June. Loving was better than that. ” “But I didn’t lose it that way, did I?” She grew hysterical. In the '80s such a dress would have indicated considerable financial means; under the sun-helmet it was an anachronism; and yet it served only to add a quainter charm to the girl's beauty. There you are! Girl spoilt for life.
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