Over the mantel, set into an ornately carved panel with fluted columns at each end, was a portrait of a man on horseback. ‘Now you see why it is I no longer require the proof of which I have spoken. She learned quickly, absorbing all she could as quickly as possible as her adoration grew for him. She found herself again in the presence of some element in life about which she had been trained not to think, about which she was perhaps instinctively indisposed to think; something which jarred, in spite of all her mental resistance, with all her preconceptions of a clean and courageous girl walking out from Morningside Park as one walks out of a cell into a free and spacious world. Anna tore it open and passed it to Courtlaw.
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