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“My dear Anna,” he answered. She was discussing one of those modern advanced plays with a remarkable, with an extraordinary, confidence. Diving towards it, he tried to press against the rivulet that was seeping from it, hampered mightily by Melusine’s fingers, which were grasping at his other hand. A hush descended across the audience as instruments tuned, creating small ladders of fifths that collapsed abruptly, snatches of solos that disappeared and reappeared like gags in a house of mirrors. But I do hope, Vee, I do hope—this is the end of these adventures.

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