They were talking of “Alcide,” as they often did in those days. The Scotchman informed Ann Veronica that your view of beauty necessarily depended on your metaphysical premises, and the young man with the Russell-like hair became anxious to distinguish himself by telling the Japanese student that Western art was symmetrical and Eastern art asymmetrical, and that among the higher organisms the tendency was toward an external symmetry veiling an internal want of balance. His subjects, however, were no longer entirely under his control; and, though he managed to enforce some little attention to his commands, it was evident his authority was waning fast. I would not think so of you, Marthe.
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